Continue reading »]]> Article Susan Fotovich McCabe | Photography Brian Turner

Canned stew, Vienna sausages, ravioli and fruit cocktail might not be among a list of favorites for those of us sitting at home, sheltered from the cold and with our kitchen pantries fully stocked. But for someone living on the street and unable to make it to shelter, it brings as much satisfaction—if not more—as a five-star dining experience.

Those items are just a few of the things packed into the Just because…YOU Matter! food bags for the homeless and distributed by local non-profit Strand of Three. The organization was founded in 2011 with the mission of responding to the immediate physical needs of Kansas City’s homeless and food-insecure (those who have a place to live and prepare meals, but do not have an adequate supply of food). Strand of Three, a name taken from Ecclesiastes 4:12, was founded by Executive Director Kathy Klag, following an experience that opened her eyes to the area’s homeless.

“It was Christmas Eve day, 2009. I was caught up in the last minute hurrying and scurrying through my Christmas ‘to do’ list. I made a quick run to the bank to get some money to top off my daughters’ Christmas stockings,” says Klag. “Mission accomplished, cash in hand, I pulled out of the bank parking lot onto the street only to notice a lone figure standing on the island at the entrance of the main thoroughfare that I was about to approach to make my left turn.”

Klag was consumed by guilt and remorse, she says, for not having helped the man. She admits she could have given him the cash she had, but was concerned he would not use it for the right things. Once home, she vowed to prepare for the next time she was in the same area. Three days after Christmas, she was on another bank run, but stopped at the grocery store to purchase food for the man—if she were to see him again. She loaded her cart with items she would eat if she were homeless—canned food with pull-tab tops, bottled water, peanut butter, granola bars and other products.

Klag saw the man again. While stopped at a traffic light, she summoned the courage to get out of her car with a bag of food and give it to the man she passed just days earlier. With a “God bless you,” Klag handed the man the bag of food and jumped back into her car to watch as he sorted through the items. They made eye contact, smiled and he waved. The traffic light turned green—and both Klag and, eventually, her organization were off.

According to Klag, statistics show that as many as three million people in the U.S. are homeless each year. Families, consisting of a single mother with children, are the fastest growing homeless group and make up 40 percent of the homeless population, and 58 percent of homeless people have trouble getting enough food to eat. Meanwhile, more than 50 million Americans live in food insecure households, including 17 million children. Considering those statistics, it’s no surprise that Jackie Bigelow, Strand of Three co-founder, had her own experience that heightened her awareness of the homeless.

“Several years ago, I was in San Francisco on vacation eating lunch outside along Fisherman’s Wharf, when I was approached by an old man begging for part of my lunch. I decided to give him the whole lunch. I’ll never forget the look of astonishment and gratitude the man had on his face,” says Bigelow. “From then on, when I saw someone who was homeless or had the opportunity to serve the homeless through church events, I started to serve meals or give what I could.”

Today, both Klag and Bigelow keep one or two homeless food bags in their cars to distribute, randomly, when they see someone with an immediate, basic need. However, the organization’s primary efforts are focused on partnering with local churches and other local non-profit organizations to distribute bags for the homeless and bags for the food insecure. In December, Strand of Three partnered with local non-profit Sleepyhead Beds to deliver special food insecure bags containing a Christmas meal to some of the families receiving beds. New Life Church and Freedom Covenant Church, both in downtown Kansas City, also received the special Christmas bags to deliver to those in need in the communities they serve.

Klag and Bigelow work with a small group of volunteers to shop various stores for the best bargains and assemble the bags for the homeless, as well as for the food insecure. Food insecure bags contain items like Cheerios, spaghetti and sauce, tuna and tuna helper, canned fruits and vegetables, cookies and other items. The bags provide enough food to make four or five meals for a family of four, says Klag. “Before this, I had grown so sick of myself,” says Klag.

“How many times had I heard about people going hungry? I finally thought to myself, ‘when are you going to do something about it?’’

Despite their best efforts to secure the best prices, the various food bags cost about $20 each to fill, but Strand of Three tells potential donors they can sponsor a bag for as little as a $10 donation. Aside from a few individual facility grants from the Walmart Foundation, a corporate sponsorship from Klag’s husband’s employer and donations from family and friends, Strand of Three has received no other financial support. However, it welcomes tax deductible donations through its website, StrandOfThree.org.

Because it has been a major challenge to secure donations of food items from local supermarkets, all monetary donations are used to purchase the specific items needed for the bags.

“We’re not a food pantry, so we don’t get the same kind of support,” says Klag. “A lot of the homeless don’t have the means to get to a food pantry or shelter, so we bring the food to them. The food goes out just as quickly as it comes in.

”In fact, Klag, Bigelow and their husbands, John and Marshall, schedule visits to downtown Kansas City with a SUV full of homeless food bags. Of course, Klag admits she has seen plenty of homeless individuals in Johnson County and says everyone the organization approaches has been “very grateful and appreciative.”

In the future, Strand of Three would like to increase its assistance in the area by generating more corporate support, find a way to supply fresh meat for the food insecure and identify more individuals in need through valued community partnerships.

“We also want to explore ways to make this more of a ‘hands-on’ project to encourage participation from churches, schools and civic organizations,” says Klag.

The organization is also looking for about 200 square feet of donated office space. For now, however, the organization’s immediate goal is to further the Christian principle of serving others.

“Our belief and vision is that as we represent the ‘hands and feet’ of Christ in this world, people will know that they matter to God who loves them,” says Bigelow.

Continue reading »]]> Article Susan Fotovich McCabe | Photography Brian Turner

I’ll run down to the wine cellar to grab a bottle of wine. How many times have you heard that outside of a movie or television script? Chances are you’ll hear it more frequently as homeowners follow the growing trend of adding wine cellars to their homes.

Leawood couple Brad and Lisa Dixon had always enjoyed learning about different wines—so much so that they joined the wine club at Off the Vine in Overland Park. When they picked up their wine of the month, the Dixons noticed a flyer from design and construction firm, Complete, LLC (CompleteLLC.net). One of the company’s many specialties is the design and construction of wine cellars and cigar rooms.

“As the popularity of collecting wines increases, so does the need for proper storage techniques,” says Complete, LLC Principal Austin Chamberlin. “For wine to mature properly, it must be left to sit undisturbed for long periods of time at the right temperature and humidity. These conditions can be found in a properly planned and constructed wine cellar.”

The Dixons had considered building the wine cellar on their own, but decided the complexities of climate control and sealing it properly might be too much to accomplish on a do-it-yourself basis. After hiring Complete, LLC, for what they describe as a “painless, one week project,” they are enjoying their 10 foot by 12 foot space, equipped with two walls of wine racks, a 600-bottle storage capacity, a small window that allows guests to look inside the wine cellar and room for a small table and chairs.

“Now when we want to open a bottle of wine, we don’t have to think about it ahead of time and remember to chill it,” Lisa says. “With our wine cellar, it’s readily available. It’s great for keeping and organizing the cases of wine we buy. It even allows us to become collectors.”

Lee’s Summit couple Richard and Kris Ray decided to finish their basement two years ago and had a little extra space left over. The Rays thought long and hard about what they wanted to do with the extra space. They knew they wanted it to be different from other homes in the area. And while Richard isn’t really a wine lover, he liked the look and feel of a wine cellar, says Kris, who does enjoy wine and says a periodic glass has even lowered her cholesterol.

“It seemed like everyone around us was putting in a bathroom or an office in their finished basement and we didn’t want to do that,” Kris says. “I just kept asking myself, ‘what really makes me happy,’ and decided we should make it something we’d really use.”

The Rays 6 foot by 9 foot space features stone, cedar and tile materials. And while two walls of shelving will allow the family to store a little more than 580 bottles of wine, Kris says it’s more than just functional.

“It’s definitely an attraction for our friends and family when they come over,” she says.

According to Chamberlin, “themed” rooms like wine cellars and cigar rooms are growing in popularity, much like home theater rooms.

“Wine cellars and cigar rooms are the next generation of rooms dedicated to a certain function,” says Chamberlin, whose company designed and built about a dozen wine cellars in 2011.

Adding a wine cellar can cost as little as $5,000 for a 10 foot by 10 foot area that is already prepped for such use and can easily reach as high as $20,000 for a larger and more elaborate space. The biggest challenge in adding a wine cellar is proper sealing, tight construction and deciding on the right look and feel to suit an individual’s tastes.

Jeff and Cheryl Daniels of Shawnee are wine collectors, so they carefully chose a wine cellar that would accommodate their passion for this hobby.

“You can’t really buy more until you have a proper place to store it,” says Cheryl. “My husband’s priority was a need for function, while my need was for beauty.”

And beauty they got. Cheryl says their wine cellar “feels like Tuscany,” with darkstained walls, a textured, plaster ceiling and the antique lighting and accessories that fill the room. And while it’s comfortable, it’s a bit chilly at 59 degrees, says Cheryl.

“I really enjoy it. It feels like I’m taking a little trip every time I grab a bottle of wine. And it’s helped us organize what we have,” she says. “I don’t pay attention to all the details of the wine, so we have it organized in a way that I can easily pull out a certain type of wine for friends if my husband isn’t around.”

The Daniels’ wine cellar has the capacity to store 1,100 bottles—most of which Cheryl says they will never consume.

“Our kids cheer us on in our collecting because they know they will one day be inheriting very nice wine, nicely aged,” she chuckles. JcL

Continue reading »]]> Article Mary Bush | Photography Provided by Leopold Gallery

Napa Valley’s Domaine Chandon vineyard, known for its legendary sparkling wines, and Los Angeles’ Warner Brothers Studio, known for its legendary movie-making, have something in common with both Kansas City’s Kauffman Stadium and Overland Park’s Convention Center.

All four are among the many major organizations showcasing distinctive art projects promoted and installed by Brookside gallery owner and art consultant Paul Dorrell.

“It seems to always surprise people that we have major clients not only in this area but also around the country and in Australia, Japan and all over Europe,” says Dorell from the busy floor of the Leopold Gallery, which celebrated its 20th anniversary in October.

A Kansas native and proud of it, Dorrell grew up in Old Leawood and fondly remembers riding horses at the old Saddle and Sirloin Club and racing motocross bikes on the dirt road that is now College Blvd. Later, at the University of Kansas, Dorrell earned degrees in English literature and art history, but unlike most of his peers, did not seek traditional employment after graduation. Instead, he took off on his motorcycle, accompanied only by a backpack, and visited all 48 contiguous states. He worked his way through the two-year adventure at various jobs along the way, including stints on a horse ranch in Santa Barbara, a fishing boat in the Florida Keys  and on Katherine Hepburn’s estate in Connecticut.

“My mom was pretty cool with the whole thing but my dad was worried,” says Dorrell. “He relaxed though, after the first few months when he could see I was really serious about seeing this country.”

Eventually, Dorrell landed his first real job as the assistant director of the Hill-Stead Museum in Farmington, Conn. and discovered his true calling— involvement with art. After helping the museum expand its membership and restore its grounds, Dorrell came back to Lawrence and opened the Leopold Gallery in 1991.

“My first goal?” laughs Dorrell, “not to go bankrupt.”

From the beginning, Dorrell was passionate about discovering and promoting regional art from Kansas and Missouri.

“If there was any way to get an area artist’s work in front of a client, we did it,” says Dorrell. “There is such a wealth of great work here and sometimes this part of the country can get overlooked.”

He installed his first major job in downtown Hartford, Conn., a statue of Mark Twain created by Lawrence sculptor Jim Brothers. The gallery moved to downtown Kansas City in 1994 and Dorrell continued to work with area artists, including Brothers who also sculpted a memorial statue of U.S. General Omar Bradley, now installed in Moberly, Mo.

After a fire seriously damaged the business, Dorrell moved to the Crestwood area in 1997. During that time, he became the art consultant for the National D-Day Museum in Bedford, Va. where today, Brothers’ six monumental bronzes and six portrait busts are on display. Legendary film maker Steven Spielberg, a benefactor of the museum, was so taken with Brothers’ work that he also owns one of the artist’s pieces.

Today, the Leopold Gallery is located on Brookside’s bustling 63rd Street. Dorrell and wife Ann live in Prairie Village and the couple’s two sons, Denny and Josh, both attend KU and assist with the gallery’s projects.

In addition to the Kauffman Stadium and Overland Park Convention Center, Dorrell’s area projects include major art installations at H & R Block Headquarters, University of Kansas Hospital, Kansas State University, Kansas City Zoo, Sprint Center, Citizens Bank and St. Luke’s Hospital.

“All involve scores of regional artists,” says Dorrell, whose client list includes his first employer, the Hill-Stead Museum. “We’ve helped some become the successful artists they are today, with encouragement and support. At the end of the day, that’s what it’s all about-along with developing regional culture. I’m quite proud of both accomplishments.”

Somehow, Dorrell also found time to write an acclaimed guidebook for artists, Living the Artist’s Life. Published in 2005, Dorrell found himself on a 60-city book tour over an 18-month period, promoting the book at retailers and conducting lectures at various artistic forums. The updated version of the book will be published in April. In addition to hitting the road again to promote the book’s second edition, Dorrell has been invited to interview as an art consultant for the San Francisco 49ers new stadium.

Dorrell’s other creative passion which many of his clients share, is underwriting the art programs in inner city schools such as Sumner Academy and the Paseo Academy. The Leopold Gallery Charitable Foundation, created in 2010, does just that.

“So many of our clients donate generously to this project,” says Dorrell. “The foundation provides first rate instruction, field trips and art supplies for these kids–the same things their counterparts in Blue Valley and Shawnee Mission receive. We reach out to kids who feel in their bones they want to work with art but may be hampered by their circumstances.”

So what inspires someone like Dorrell who is responsible for the advancement of so many others’ inspirations?

“Of course, my family and then also travel, whether it’s here or abroad,” says Dorrell. “I’m also fortunate to be around such visionary artists and clients, doing something I love.”

But inspiration also comes when Dorrell hits the road on the well-tuned street bike he owns.

“There’s nothing like taking it up to 130 miles an hour when I’m all alone on some deserted highway,” laughs Dorrell. “I’m just always careful when I do it.”

For more information visit LeopoldGallery.com.

Continue reading »]]> Article Susan Fotovich McCabe | Photos courtesy Samara Naeymi

University of Kansas alumni are a close knit group, and most often seen clustered around televisions in bars around the country, cheering on their favorite athletic teams. Some KU alumni, however, are like family. Such is the case for a small group of KU theatre students and graduates who were courageous enough to apply their learning in the Big Apple.

Former Johnson County residents Averyn Mackey, Samara Naeymi, Xavier Rice and Michelle Nikoomanesh are among the New York talents who once called Kansas home. Today, the four, who refer to themselves as a “little urban family,” are singing, acting, writing, directing and producing their way through various New York productions.

“New York is a great city to work in—the different people who accumulate here breeds a unique, fun and thriving artist environment, and the opportunities are endless here,” says Rice, a Shawnee Mission North High School graduate. “I’ve worked hard and been lucky. I wouldn’t want to be any other place right now.”

During his last year at KU, Rice jumpstarted his career as a performance artist by moving to Minneapolis where he worked as an actor with CLIMB Theatre, a nationally recognized theatre company, Penumbra, The Guthrie, Theater Latté Da and others. He says he quickly fell in love with Minneapolis and actually made enough money to support himself. Still, a nagging desire to work and live in New York tugged at his heart, so he took a leap of faith and followed others from KU who had gone before him.

Moving to Brooklyn five years ago, Rice now produces his own cabaretstyle theatre productions throughout New York City, but most often at the popular Brooklyn venue Public Assembly, featuring his current show, Mamma Rice n Friends. His production is currently the theatre’s highest selling Monday night show, and was recently featured in TIME OUT New York’s “We Were There” as a great thing to do on a Monday night.

The show features many Kansas City performers, and while it’s a big hit, it’s not enough to support Rice financially. The money he makes waiting tables at a Midtown Manhattan restaurant near Lincoln Center pays the bills and allows him the flexibility to audition, rehearse and produce.

“I pay a couple bills a month producing my show, which after two years, is now making a little money. And I do on air radio work sometimes and sing locally for drinking/entertainment money,” he chuckles.

It’s a similar story and life for Mackey, who moved to New York seven years ago, fresh from her ceremonial graduation walk down the “hill” at KU. Mackey, who lives in Brooklyn near Rice and performs in his cabaret shows, is a former Leawood resident and Shawnee Mission East graduate.

“I like to say I’m an actor who sings. I don’t dance,” says Mackey, who has bumped into other KU theatre graduates in New York, and even some former high school classmates who are not involved in the theatre.

Mackey says her fellow KU theatre alumni are like family and that many have created their own productions that provide her with an opportunity to perform. Yet, like Rice, Mackey has had her share of bartending, waitressing and dog walking jobs to maintain her Brooklyn apartment.

Sometimes, she says, the ebb and flow of competing in New York can be discouraging at times. In fact, she went nearly an entire year without auditioning so she could recharge and strategize for her future. She remains positive about her life as a performance artist in the Big Apple, and says she does not plan on throwing in the towel.

“Unfortunately, 97 percent of actors in the union are unemployed. Even if I never make a living as an actor/performer, I’ll never leave New York,” Mackey says. “I love performing so much that I have no desire to walk away from the pursuit of it.”

Like Mackey, Nikoomanesh thrives on the many acting and singing opportunities she has found in New York, including staring in the Web series she co-founded, Shotgun Mondays, singing at New York City clubs, touring with her brother’s band, Sidewise and working as a karaoke emcee (which, along with administrative assistant gigs through a temporary service, pay the bills). Nikoomanesh, a Blue Valley High School graduate, regularly performs with the bands, Rawles Balls comedy cover band and the Eight Bit Band.

“I’m in the greatest city on Earth, even if I have to do other things to make ends meet,” Nikoomanesh says. “You have to find a balance between doing what you love and what you have to do to pay the bills.”

Another member of the “little urban family,” Naeymi, is in the enviable position of being able to hire some of her KU friends from time to time. Naeymi is the producing director and curator of the Incubator Arts Project in New York, which features original works by independent artists.

A graduate of Blue Valley Northwest High School, Naeymi had her eye on moving to England before deciding to follow fellow KU students to New York.

“When I came here, I had planned on being a performer. I took a bunch of acting classes, auditioned for a lot of things and acted in some off, off Broadway productions,” Naeymi says. “Eventually, I landed at the Incubator Arts Project and I have a great opportunity to grow with the organization, so I plan to stay here for now.”

As much as Naeymi loves living and working in New York, she admits she enjoys visits home with her parents in Overland Park and the wide-open feel she gets from being in Kansas.

“I like going back to Kansas because you feel like you can take a deep breath and there’s so much space,” Naeymi says. The same is true for Rice, who says a trip back home always includes a stop for drinks with friends on the Country Club Plaza.

“It’s a great place to catch up and get loose. I always swing by Jardine’s to see if M. Bird is singing. I also love catching a read and coffee at a bookstore and my sister and I always get a couple laps in around Oak park Mall,” Rice says. “I love being in a car! There’s no need to drive in New York. So when I get home, the thing I love to do most is hop in the car with my sister and drive about town having coffee and doing our thing!” JcL

Continue reading »]]> Article Lauren Collinsworth Claflin | Photography courtesy of Lee Harrelson

Fountain City Brass Band is one of the most prestigious brass bands in the world, and yet few in its home town of Kansas City have heard of it. Most locals do not know that Kansas City has a brass band at all, yet alone one that has traveled through Europe, winning awards that no other brass band in North America has won.

Lee Harrelson hopes that will change. As founder and artistic director of Fountain City Brass Band, he is passionate about brass band music, as well as its rich heritage among hard-working people.

While not as popular in the United States, brass bands have flourished in Europe, especially Great Britain, since the early nineteenth century. Brass band music is known as the music of the masses. Before its formation, musical composition and performance belonged to the privileged. However, the Industrial Revolution changed almost everything about the lives of working-class people. Agricultural workers moved to cities, exchanging a quiet lifestyle of seasonal rhythms to one of cramped conditions and almost no recreational pursuits. Not surprisingly, rowdy drinking ensued, which did not produce competent workers.

Progressive factory owners began sponsoring brass bands as a way to keep their workers entertained. Factories would support the bands by purchasing and repairing instruments for their employees, as well as providing sheet music and practice space. The bands, in turn, would benefit the factories by providing free advertising (brass bands were often named after the factories) and keeping their employees happy and fulfilled, rather than causing trouble after work.

The bands, and their communities, derived considerable pride and satisfaction from their performances, which lead to brass band competitions that still thrive today. In recent years, many of these competitions have awarded their highest honors to Fountain City Brass Band.

More than a decade before he started Fountain City Brass Band, Harrelson had a decision to make. When Harrelson was entering middle school in Crestview, FL, he learned that all students must choose between chorus, arts or band. He decided to play in the band, and his grandmother took him to the school to select an instrument. The band director told him that he would be best suited to the trombone or the euphonium.

“I had at least heard of the trombone, but I had no idea what a euphonium was,” says Harrelson. “As we discussed what I should play, the band director mentioned that trombone players would need to purchase an instrument, but euphoniums would be provided by the school. At that point, my grandmother announced, ‘he’s a euphonium player!’ She was right, and the decision that night changed my path forever.”

Harrelson proved to be a virtuoso at the euphonium, and his talent and dedication led him to the University of Southern Mississippi for his undergraduate education, then to UMKC Conservatory for a masters degree. When he was finishing his masters in 2002, Harrelson was at a crossroads. He was trying to decide between continuing his education, performing full time, or becoming a music teacher in the public school system. A friend encouraged Harrelson to accompany him to the North American Brass Band Championships. Harrelson returned home excited about a new path–starting a brass band in Kansas City.

Harrelson entered the doctoral program at UMKC (and later received his doctorate) at the same time that he was forming Fountain City Brass Band. He wrote a letter describing his ideas for the band and a business plan, and sent it every college music teacher and brass musician within two hours of Kansas City. He received just enough interest to start the band, and they first assembled almost 10 years ago. They were fortunate to have the full support of UMKC, including use of the school’s percussion equipment, free practice space, and music professors from the Conservatory that still play in the band.

Because there are so many British brass bands on the competition circuit, Fountain City’s success in Europe is not only surprising, but historic. In 2009, the band won the Scottish Open, one of the most prestigious brass competitions in the world. Fountain City is the only North American band to win on British soil. In addition to performing and competing throughout Europe, Fountain City has won the North American Brass Band Championships four times, a staggering achievement for such a young band.

“We have been blessed to have such dedicated and talented members of our band,” says Harrelson “Fountain City is an all-volunteer ensemble, and yet everyone involved gives so much of their time. That level of dedication is bound to lead toward success.”

This year is a special one for Fountain City Brass Band, with many competitions and performances scheduled, as well as a special 10th-anniversary concert next October that will feature present and past members of the band playing on stage together. Fountain City’s next performance in Kansas City, Windows of the World, will be April 28 at MidAmerica Nazarene College. (For ticket information, visit the band’s website at fcbb.net.)

Brass banding is still in its infancy in North America, but it is growing in popularity. One of Harrelson’s greatest passions is the development of the brass band movement in the United States.

“The music and the camaraderie of brass banding is so enjoyable,” says Harrelson. “Musically, there is something for everyone, from the youngest beginners to professional musicians.”

]]> http://www.johnsoncountylifestyle.com/2012/01/28/a-local-brass-band-has-won-international-acclaim/feed/ 0 http://www.johnsoncountylifestyle.com/2012/01/28/the-youth-symphony-of-kansas-city/ http://www.johnsoncountylifestyle.com/2012/01/28/the-youth-symphony-of-kansas-city/#comments Sat, 28 Jan 2012 14:29:50 +0000 ilsy http://www.johnsoncountylifestyle.com/?p=822

Continue reading »]]> Article Lisa Allen | Photography by Rachel Meiring/Kdog Photographers

Wisdom reminds us that even the most majestic trees start as a single seed or acorn. In that diminutive beginning lies supreme potential and promise; the same might be said about the Youth Symphony of Kansas City.

Established in 1958, the purpose of the organization is to educate young musicians through enhanced orchestral experiences and to build the present and future classical music community. Executive Director Steven Murray calls the students who participate in the program talented and dedicated.

“These students are truly the future of our community and of orchestral music,” says Murray. An audition process enables Murray and his colleagues to place students in one of five ensembles: Symphony, Academy, Philharmonic, Symphonette and String, with the Symphony Orchestra being the most advanced.

Students who participate in the Symphony Orchestra perform full-length works including standard orchestral repertoire that a listener might expect to hear performed by a professional orchestra. The preparatory full orchestra, known as the Symphonette Orchestra, performs shorter pieces including original instrumental works and arrangements of standard repertoire. This diversity in Orchestras allows students to progress and continually hone their skills as the difficulty and length of musical selections escalates.

More than 300 young musicians comprise the five orchestras and perform more than 15 annual performances. The Youth Symphony of Kansas City has served as the orchestral music home to more than 8,000 young musicians throughout the span of its 50-plus year history.

“The quality of the program is due to two primary aspects,” says Murray, “the fantastic student musicians and our talented artistic staff, consisting of five professional music educators and conductors, each of whom are wellrespected within the community. Because of their efforts, the program has maintained a high level of artistic and pedagogical quality.”

“I look forward to every Sunday afternoon, sharing terrific symphonic art music with the outstanding young musicians that are committed to the program” says Steven D. Davis, conductor of the Symphony Orchestra: “I am fortunate and blessed to be able to work with such a wonderful organization committed to this ideal.” Conductors Russell E. Berlin, Jr., Michelle Davis, Joseph Keeney and Gail Rowland round out the Artistic Staff.

When asked to describe a ‘typical’ Youth Symphony student, Murray uses the words good and hardworking. He shares that the students are extremely dedicated to not only their music education, but to the myriad of other activities in which they are involved. The program boasts alumni that have moved on to study at prestigious music programs such as The Julliard School, Rice University, Indiana University and the University of Michigan.

“Youth Symphony alumni have enjoyed careers as music educators and professional musicians, including full-time work in symphony orchestras throughout the United States. Additionally, many of our alumni decide to pursue studies and careers other than music, and their efforts are crucial in building an arts-minded community as we are so fortunate to have here in Kansas City,” Murray says.

With students ranging in age from fourth grade to 21, each student auditions each year to determine placement, regardless of previous Youth Symphony involvement. Placement is competitive and is based on audition score and the recommendation of the adjudicators. Students are scored on a rubric that balances intonation, interpretation, tone, rhythm, technique and scale proficiency as well as the grade and instrumentation needs of each ensemble. Auditions for the 2012-13 season will be held in May.

With only two full-time administrative staff members, the organization relies heavily on volunteer support and charitable contributions. The majority of volunteer manpower comes from participating families, and as such each musician’s family is required to volunteer 10 hours of time throughout the course of the season. Volunteer duties vary but include assisting with rehearsal set-up, providing snacks at activities, helping with administrative tasks and managing events.

“At the present time, tuition fees account for approximately one-third of the program’s total operating costs, with the other two-thirds being made up by contributed revenue,” says Murray.

“Rather than burden families with yet another fundraiser or requirement to sell cookies or wrapping paper, we simply ask families to share with their colleagues the impact the program has had on their child’s education and to encourage their cohort to contribute to the program,” says Murray. All charitable contributions go directly to program needs.

The organization is committed to assisting students whose families demonstrate qualified financial need, and students are not turned away because of an inability to afford the program fees. Scholarships are available and follow a specific application process. All applications are held in the strictest of confidence, and are based on financial hardship rather than merit.

The 2012 performance calendar runs through June 5 and includes events at the UMKC Conservatory of Music and Dance, the Folly Theater and Helzberg Hall at the Kauffman Center for the Performing Arts.

The Youth Symphony holds an annual concerto competition in which two winners are selected, one from each the Symphony and Academy Orchestras. Cellist Angela Holmes won this year’s Symphony Concerto Competition. Holmes is a sophomore and the principal or first chair, of her section. This is her first year in the Symphony Orchestra.

Emily Shehi, an eighth-grade violinist and concertmaster, or first chair violin, of the orchestra, won the Academy Concerto Competition. Both Shehi and Holmes will perform their award-winning selections, with their respective orchestras, in a free public concert at Yardley Hall on February 26.

“To be able to assist in providing opportunity for these musicians to hone their artistic skill and to do so in ways that are not available anywhere else within the Kansas City metro is what really drives me as executive director,” says Murray.

“I am most passionate about the way in which this program enables these young people to be the absolute best they can be in all regards, not just musically. Having been a violinist and music educator it is a real joy to watch these young musicians perform in such an accomplished manner.”

Looking to the future, the organization aspires to afford as many who are interested in the opportunity to be a part of the musical experiences that the Youth Symphony offers, whether participating in an orchestra or attending a concert. Murray strives to build strong community partnerships and work collaboratively with area arts organizations, and is grateful for the opportunity to work with musicians of the Kansas City Symphony.

“We will be presenting a concert alongside the Symphony in a side-by-side format in June at the new Kauffman Center for the Performing Arts,” says Murray.

Learn more about the Youth Symphony and the Artistic Staff, review audition guidelines and performance calendar at YouthSymphonyKC.org.

Continue reading »]]> As early as the 1950s, “bedroom communities” were transforming into more established, nearly independent “edge cities,” often spurred by the movement of corporate headquarters building to locations outside the anchor city’s core. Edge cities–such as Overland Park– are distinguished by having a complete set of housing, schools, recreational areas, office and industrial parks, shopping malls and cultural and medical centers, while still being tied closely to the city.

Johnson County’s edge city explosion was driven in large part by the 1975 opening of Corporate Woods in southern Overland Park. The initial development created a park-like environment, with trails and wooded areas integrated among the initial five office buildings. Retail development quickly followed, along with banks, groceries, medical services and specialty shops. Johnson County Community College, established in 1967, made a major statement by locating at 111th Street (now College Boulevard) and Quivira Road in 1972.

National leaders locate here
In 2005, half of the nation’s Fortune 100 companies and a third of the Fortune 500 had locations in Johnson County. Among them were Applebee’s International; Ash Grove Cement; Bayer Animal Health; Garmin International; Lee Jeans and YRC Worldwide. With its headquarters at 119th Street and Nall Ave., Sprint has 20 buildings and 18 parking garages. The campus is so large that it has its own zip code.

The growth in workers followed. By the early 2000s, the number of workers in the county nearly matched the number of residents. By that time, those commuting into Johnson County for work far exceeded the number who left to work at jobs elsewhere.

Legislation supports growth
The state’s authorization of a retail sales tax in 1978 gave suburban growth a big boost. Allowing a source of revenue beyond property taxes led to significant growth in public improvements and services. Voters in Johnson County overwhelmingly supported liquor-by-the-drink legislation in 1986, repealing the 106-year-old prohibition and dramatically improving the growth of restaurants in Johnson County.

Diversity improves slowly
Integration in Johnson County has lagged behind the nation. The 2004 U.S. Census reports just 11 percent of the county’s population as non- Caucasian, well below the national average of 25 percent. The Johnson County Latino community grew 250 percent between 1999 and 2004, prompting new bilingual services throughout the county. The next largest non-Caucasian groups in the county at that time were Asian and African- American. A number of smaller ethnic communities also have built religious centers in the area, including the Hindu Temple and Cultural Center of Kansas City in Shawnee and the Filipino Cultural Center in Overland Park. Another diversity factor–age–also is at play: The county has recognized the trend toward an aging citizenry, which has resulted in the buildup of many
organizations and care facilities to support this population.

The county historically did not include many Jewish people. Most synagogues and other Jewish organizations were located in Kansas City, Mo. But more Jewish families relocated to the county after World War II, just as non-Jewish families did. A 1986 demographic study identified 80th Street and Roe Blvd. as the epicenter of Kansas City’s Jewish population. That study spurred the relocation of most of the metro area’s Jewish organizations and synagogues to Johnson County.

Cities attempt to lessen division of state line
Johnson County’s population exceeded Kansas City’s by the year 2000, rendering the “bedroom community” designation moot. Decades of tension continued to cross the state line, however. The themes of the 1990s and 2000s are not much different from those in today’s headlines.

Future vision playing out
In 2001, Johnson County commissioners envisioned 2020, identifying several quality of life issues that would require ongoing leadership:

Improved transportation options • Favorable economic development conditions • Excellent school districts • Safe communities • Raised cultural profile • Maintenance of open, green space for parks and farmland • Effective management of future growth • Environmentally conscious construction techniques • Neighborhood-centered developments

A fitting conclusion to this eight-part series on the history of Johnson County comes directly from the book on which it’s based: “… To its credit, Johnson County has long been known for its dedicated and passionate citizenry. Thus, these challenges, and many more, are certain to be met by the same caliber of caring and committed men and women who transformed this part of the “Great American Desert” into an economic powerhouse for the state of Kansas and the metropolitan Kansas City area; and, in doing so, made Johnson County a great place to live, work and play.” JcL

This material was summarized from Johnson County, Kansas: A Pictorial History, 1825-2005, by Mindi C. Love, with permission from its author and the Johnson County Museum, Shawnee, Kan. Copies of the book are available at the Johnson County Museum and online, at JoCoMuseum.org.

Continue reading »]]> Article Lisa Allen | Photography Angela Bond

Everyday miracles are often overlooked. Take, for instance, the ability to turn a mishmash group of men, ranging from high school age to 80 with no formal musical training, into a chorus of voices that spreads entertainment and happiness throughout the Kansas City area.

Johnson County’s Trails West Barbershop Chorus is a chapter of the Barbershop Harmony Society, formerly known as the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America, a world-wide umbrella organization that provides musical arrangements, chapter support and leadership as well as the opportunity to participate in semi-annual conventions and competitions. The chapter began in the early 1970s under the direction of Russ Craig, Jim Silvers and several other members, but after singing for several years became inactive. In 1998, Craig and Silvers resurrected the group with the help of Bill Dodds, Byron Stephens, Mike Rowland and Wayne Philipp, all of whom are still members.

Under the current leadership of Dale Ellis as president and Randy Schott as director, the group boasts a roster of 32 men who gather weekly to transform their voices from solo to something bigger. Schott is the sole professional musician in the group; most members do not read music but have learned by listening to instructional materials. Loren Goss is the immediate past president of the chorus; his term ended at the end of 2011.

“We welcome all men who like to sing,” says Ellis. While one current member sings with the Kansas City Symphony, others participate as non-professionals, drawn in solely by their love of music and desire to share their voice with the community. The roster includes men from all walks of life, including a doctor, lawyer, student, engineer, grade school teacher, ground keeper and printer, as well as many retired gentlemen.

“More than anything else we like to bring some happiness to all elements of the community by doing something that is a real joy,” says Ellis. Because the chorus is a non-competition group the members can attend and participate at the level that works best for them individually.

The chorus practices year round for a schedule of larger-scale events that are consistent each year. The Senior Follies, on March 11 at the Polsky Auditorium at Johnson County Community College, is sponsored by Johnson County Parks and Recreation.

The fall show, held in October at the Bell Center of Mid American Nazarene University, usually features both a local group and a headliner group of a competition level quartet, as well as a performance by the chapter of songs arranged in barbershop style. The chorus aims to connect with a local high school to feature during the annual fall show.

The chorus’ favorite and most anticipated event, though, is Valentine’s Day. Known as the Barbershopper’s National Holiday, the chorus uses their unique sound and skills to realize their major fundraiser of the year. For a charge of $50, a quartet sings several songs and presents the lucky recipient with a rose and small box of candy. The chorus travels from nursing homes to schools, restaurants, offices, fitness clubs and homes to serenade recipients and spread a bit of Valentine’s Day cheer. The most unique place they have been so far is a boxing ring.

“Singing Valentines are some of the most fun we have all year. We really appreciate the husband of a girls’ high school basketball coach,” says Ellis. “He has ordered a Valentine from us for the past six years, and we sing to her and her team at their practice. Last year he called to order again and said ‘She’ll be surprised, just like every other year!’”

“Last year we sang for a young lady who was suffering from a blood disease and had been unable to go out for a long while. Her mom relayed to us later what a special day that had been for her,” says Ellis.

The money earned from the Valentine’s Day promotion and the proceeds from the fall show fund scholarships for local college-bound seniors who plan to study in a field of music. The chorus provides an application to area high school music teachers to encourage seniors to apply for the scholarship and is striving to increase the number of scholarships they can support each year.

The chorus is also piloting a new program this year in which they provide a cappella music to high school and middle school music programs. Using funds generated by the Olathe Arts Alliance, the chorus hopes to work with teachers to demonstrate and encourage singing close harmony.

“Many of our members began singing barbershop style in junior high and high school with the support and encouragement of our music teachers,” says Ellis. “We would like to pass that joy along to younger generations.”

In addition to the grand performances and annual events, the chorus keeps busy through the year performing at local nursing homes, retirement communities, community service clubs and community events such as Old Settler’s Day and the Mayor’s Winterfest in Olathe.

“We are really open to invitations for events, and will send quartets or more for wedding receptions, birthday parties, anniversaries, family picnics, summer church groups and other groups wanting entertainment or special music,” says Ellis.

While the obvious benefits of sharpening their vocal skills draws many men to the chorus, Ellis shares that it is more about the friendships and relationships that the men build that keeps so many of them active and passionate about the chorus. The chorus currently meets every Tuesday evening at 7 p.m. at the First Baptist Church at 2024 E. 151st St. in Olathe, and welcomes anyone interested to stop by and participate.

“After performing at nursing home or retirement communities, we always greet the audience and their response of warmth and happiness makes us wish we could sing for them every day.”

You can learn more about Trails West Barbershop Chorus at TrailsWestBarbershoppers.com or email Valentines@TrailsWestBarbershoppers.com to schedule a special serenade this Valentine’s Day.

Continue reading »]]> Words Denise Snodell

You can’t spell painting without “pain.” This is something I learned at a silent auction several years back.

While attending an outdoor literary festival, I stumbled upon a booth featuring one of my favorite local artists. Local for me, I should say, because I’m sure his colorful, whimsical paintings sell across the nation. He just happens to share my area code.

This was a big “yay.” The artist had actually offered about a dozen of his originals for an on-the-spot silent fundraising auction. His booth happened to be tucked away from the crowds. And, as I mentioned, this was not an art festival. It was a literary festival. Most folks there had their noses in books. Not many oil sniffers were on the prowl.

Jackpot.

I called my husband, who was elsewhere that day. “You-know-who is auctioning his paintings. I think they mislabeled his location. Hardly anyone seems to know he’s here. Should I stay and bid?”

My husband responded with an un-publishable variant of, “Jeepers, yes!”

So I committed myself to close down the event. As I have learned over the years, at silent auctions, one must linger until the last minute. Even if there’s low attendance, strange stuff happens at the end. The rule is to hover, to intimidate potential competitors while pretending to be civil and nonchalant— even though there’s smack-down rage simmering on the inside.

Blink, blink, smile, oh, hello. Oops, pardon me. Blink, blink, smile.

I signed up for four paintings, because it was him, plus everything was such a deal. But there was one painting I really wanted. It was a still life with uplifting swirls of oranges and greens. A painting I would put in my office to gaze at maybe 50 times a day.

As the afternoon ticked away, I would circle back to check on the auction sheets. People were catching on, so I had to re-bid now and then. Then the pesky issue of cost began to surface. I eventually decided to focus on just two works—but especially on my orange dream. My office painting. Mine.

With every return visit, I would chat with the friendly artist, who was as colorful as an impressionist’s palette. By then my fan-dom became rock solid, and I mean Michelangelo-marble-slab rock solid. I had to own an original. I had to.

In the final ten minutes, a mini-mob converged on the scene. Dang it. Pens flew across the bid sheets. But I was still safe. Countdown to my beautiful orange…

Then, she appeared. Miss Artbucks. She blinked twice, smiled, and doubled my last bid before I had time to rationalize “spending too much.” Orange, crushed.

I now own the other painting.

I’m sure the artist was aware of the last-minute drama. He actually hugged me (not her) as he handed me my winning bid. I could not love it more: Three martinis atop a piano. An eternal promise of celebration.

And, it’s a painting with a built-in back story. Literary festival, indeed. JcL

Continue reading »]]> Article and Photography Tom Strongman

Cadillac’s 2012 SRX has come a long way since the first generation was introduced in 2004. Along the way, a modern, more aerodynamic and certainly more stylish wrapper, has supplanted the boxy shape. The SRX cedes no ground to competitors from Acura, Lexus, BMW or Mercedes-Benz. I was impressed every time I slid behind the wheel.

The swift kick of the 308-horsepower, 3.6-liter V-6 is just what the SRX needs. Combined with tight handling, responsive throttle and a spacious and comfortable cabin, this energetic engine delivers driving pleasure.

Luxury crossover utility vehicles are more appealing than a sedan, especially for families who carry kids, sports equipment or DIY home goods. The styling has sharp creases that are part of Cadillac’s design language.

The 3.6-liter engine was butter smooth, with sharp low-end throttle response and very little vibration. The six-speed automatic transmission is an ideal partner because it keeps the engine in its optimal powerband most of the time.

The SRX is available in four trim levels, in front-wheel or all-wheel drive. Prices begin at $35,185 and top out at $45,975.

The test car, from GM’s Texas press fleet, was a front-wheel drive Premium model. I would choose all-wheel drive for our Midwestern winters.

Cadillac says the SRX chassis was developed to balance driving dynamics with a comfortable ride, and it does just that. The suspension
system adjusts the shock absorbers in milliseconds depending on driving conditions. That enables the car to soak up bumps without sacrificing responsive handling.

The SRX wheelbase is two inches shorter than that of two of General Motor’s newest crossovers, the Chevy Equinox and GMC Terrain.

The SRX cabin is nicely tailored because the dash is covered with hand-cut-and-sewn material that looks rich and elegant. A navigation
screen rises from the center of the instrument panel when the vehicle is started. The instrument pod looks great because the three gauges have light backgrounds and dark numerals. The center of the speedometer contains a bright-blue display that can show a variety of items, from navigation instructions to digital speed readout.

The front seats could use more lateral support, but were otherwise comfortable.

Clever touches abound. Two small crystal-like pieces near the top of the speedometer glow when the turn signals are activated.

Bluetooth connectivity and input for an MP3 player are standard. The rear-seat entertainment center has separate screens in the back of each front seat.

The cargo space has a handy track for lashing down cargo, and a goodsized concealed storage space under the floor. The sloping roof impinges a bit on the cargo capacity.

Safety items include front, side and side-curtain airbags, along with antilock brakes, traction control and a vehicle stability system with trailer stability assist.

Price: he base price of the test car was $45,975. Options included the rear-seat entertainment system and black ice metallic paint. The sticker price was $48,740.

Warranty: Four years or 50,000 miles with a five-year, 100,000- mile powertrain warranty.

To reach Tom Strongman, e-mail Tom@TomStrongman.com.